Thursday, November 27, 2008

Natural History Museum's Art & Science Family Day: "Beautiful Birds"


This is our second time at the Museum; we were there, maybe two years ago. The theme was birds. I've never been much for origami birds, so didn't have much in the way of exhibit models, pre-made. I wanted to do more complex ones, but ran out of time.



I was pleased to see two friends from my gymnastics life come by for a visit.



Happy Thanksgiving!


Photos here.

Happy Thanksgiving!




Hat tip: Douglas Philips on Origami-L (mailing List)

Monday, November 24, 2008

Yami gets away with "Grabbing the breast and pulling the tail"



This is Randlett's flapping bird.

I sometimes wince at Yami's humor when it borders on the edge of "inappropriate for children's ears".


There was one year that Yami apparently offended some wife of some program director at the JACC in downtown Los Angeles, during Children's Day. I only learned of it sometime later, when we stopped getting invited back, after two years of doing it. My contact didn't know the details, but I it's hard to imagine Yami offending anyone since he's so generous and kind; but I wonder if it had to do with humor like this?

I vaguely remember him phrasing something in a really funny way (I'm absolutely sure it was unintentional, and just came out funny) once, while teaching the Thai tulip. I don't remember the exact wording, but it had to do with the moment when you expand the model, like the waterbomb, by blowing air into it. To orient the students s to which way to hold the model, he said "this is the top and this is the bottom...." and pointed to his rear end.....then talked about blowing through the hole. I wish I could remember the way it came out, because it was hilarious. But I'm sure you can just imagine...


Have Furoshiki, will Travel

While closing up shop, there were still a few odds and ends on the table that Yami hadn't packed away yet. Yami showed us what to do with it.



From
Wikipedia:
"Furoshiki (風呂敷, furoshiki) are a type of traditional Japanese wrapping cloth that were frequently used to transport clothes, gifts, or other goods. Although possibly dating back as far as the Nara period, the name, meaning "bath spread", derives from the Edo period practice of using them to bundle clothes while at the sentō (public baths;public furo). Before becoming associated with public baths, furoshiki was known as hirazutsumi (平包), or flat folded bundle. Eventually, the furoshiki's usage extended to serve as a means for merchants to transport their wares or to protect and decorate a gift.

Modern furoshiki can be made of a variety of cloths, including silk, chirimen, cotton, rayon, and nylon. Furoshiki are often decorated with traditional designs or by shibori. There is no one set size for furoshiki, they can range from hand sized to larger than bed-sheets. The most common sizes are 45cm (17.7 inch) and 68-72cm (26.7-28.3 inch).

Although there are still furoshiki users in Japan, their numbers declined in the post-war period, in large part due to the proliferation of the plastic shopping bag. In recent years, it has seen a renewed interest as environmental protection became a concern. Furoshiki are, however, commonly used to wrap and transport lunch boxes (bento) and often double as a table mat for the lunch."

Yami also sent me this link diagramming how to do this.

Sunday, November 23, 2008

Yami Folds Under Pressure

While showing my friend Thea how easy it is to piece together Kenneth Kawamura's butterfly ball using a "third hand" template, Yami goofs it up the 2nd time around- a rarity:

Joe Charms the Women with a Change of Heart



I can't tell you how often Joe charms the ladies with this model.


Steve Hecht has diagrams for anyone interested in folding one.

Joe Demonstrates the Flying "Catch" Fish




Unbelievable how Joe can take something so simple as to not raise my eyebrow, and turn it into a thing of magic that delights kids; adults find their hearts melt back to the wonders of childhood, as well.

This video shows you how to make the cuts for the tail (calls it a paper blimp).

Origami Redpaper

I love these models by Origami Redpaper (Seo Won Seon):











Blogsite here. He has a few teaching videos, including this flapping bat and a very cool peacock, where you can position the feathers to spread out or remain closed.

Sunday, October 26, 2008

Chris Palmer's Hat Tent




I learned this around 6 years ago. I've had the opportunity to meet Chris Palmer a few times during my annual trips to OUSA. His work is amazing!

Chris Palmer's website

Here's one with a slower paper memory:






Just be warned: It's a 3 minute video, and by half-way through, it becomes like watching paint dry and grass grow.

Tuesday, July 22, 2008

Spinning Top in Under 4 Minutes



Sara Adams has a video on how to fold Manpei Arai's spinning top. I made the following video a while back for the purposes of showing how quickly you can fold this model. Why you ask? It's been a staple "giveaway" model of mine, so I produce them en masse, even folding several sheets together at one time to form the base. Sure, you sacrifice a bit on neatness, but not by much.




Annie Pidel's photo-steps can still be found here.

Sunday, June 22, 2008

All the World's a Spinner



I haven't attended a POP meeting in ages. The late Dorothy Engelman arranged the group (I believe I attended the first meeting), and Joel Stern has since taken over the helm. I first met Neil Eisman at POP, and later, Jared Needle.

Joe Hamamoto seems to see every modular as a model he can blow and make spin between his thumb and finger; and Yami seems to see everything as a challenge to turn into a spinner. He did that about two months ago with a model someone showed him, where he added a center unit to make it spinnable, and I joked that everything can be made to spin, and proceeded to turn my John Szinger turtle over onto its back and spin it on its shell.

I missed last week's WCOG meeting, but it sounds like Bennett brought a model shown to him by Mark Kennedy 20 years ago and Yami added one more unit to make it spin. Author of the original design is not known, but maybe Mark can shed some light on it.

I believe Bennett said he submitted diagrams to OUSA.

Sunday, May 25, 2008

No Bones About It

*ahem*:
12/13/2005 - A folded eagle appeared on the TV series Bones in "The Man in the Fallout Shelter" (Christmas episode # 108). In the show, the forensic team is quarantined just before Christmas and prepare handmade gifts for each other from items in the lab. FBI agent Booth (David Boreanaz) makes an origami eagle for Dr. Goodman, the director of the Jeffersonian. The model was the eagle from "Origami Zoo" by Robert J. Lang, and was folded by Michael Ujin Sanders.
That would be yours truly!

I only just viewed the episode in question. I have no idea what the premise of the show is about.
If I remember correctly, I folded 2 Robert Lang Eagles from Origami Zoo, and about 2 more that were partially folded, in case they decided to film David Boreanaz "folding" the model (they settled on showing Boreanaz ripping a sheet of paper, fading out to the next scene)

The model only makes a brief appearance toward the end of the episode. I like where Dr. Goodman, who opens the present with the origami eagle, asks, "You made this?" And Boreanaz gives a modest "yeah."




You can view the episode in its entirety here.

Jackie Chan Adventures- "Origami"

Never saw this before, until recently; although I've seen it discussed on the O-List in the past:



Description:
A Jackie Chan Adventures episode #221 was called "Origami" an[d] aired 12/2001 on the WB Kid's Network.. A paper man steals an ancient Chinese painting from the Louvre, then changes into an eagle reminiscent of Lang's Eagle and takes flight. Jackie next appears at a famous art collectors house to offer to guard his collection. Viper is already there offering her service to Mr. Kasahara. The paper man appears and steals something of Mr. Kasahara's and Jackie again pursues the origami man. At one point, Jackie realizes that Kuniko Kasahara is the Origami thief. The climax starts with the origami man trying to steal a vase from the Louvre, but it is too heavy for the eagle to carry. There is a dramatic scene where Origami man has changed into a pterodactyl (Montroll-ish) and is chasing Jackie up the Eiffel Tower and his wing tips cut the steel cables supporting the stairs. The final scene shows Kasahara in jail folding little Jackie's and crushing them.

The character background states that Origami got his super powers because he found an enchanted square of paper with the power to transform. The paper REMADE him. Now us has some kind of "folding power" to transform into all kinds of shapes. Some pictures here


Episode Number: 27 Season Number: 2 First Aired: Monday November 5, 2001 Production Code: 221

Has anyone seen Origami Warriors before? I dunno....it kinda looks like crap.

Saturday, May 03, 2008

John Szinger's Snapping Turtle

This blog has mostly been used to host my videos; but I think I might start expanding the original purpose and begin blogging on other origami-related things.

For the past few years, I sort of lost my passion for folding complex models; I think I mostly lack the patience for making the tissue foil/getting the right paper (I'm very picky!) and spending long hours on one model. Actually, I still love complex models; but ever since I started working with Yami and Joe, I've been influenced in the direction of exploring what I can do with the simple and with models that have entertainment/performance value to them.


Well, this past week, I decided to give John Szinger's snapping turtle a try. Shaping the shell and underbelly/legs was a bit challenging and I'm not sure how much has to do with technical precision-folding and how much is dependent upon each folder's unique, artistic instincts and sculpting sensibilities. I ended up moistening the paper for some shaping of the shell and legs.

Overall, I think it's a great-looking model, and a good compromise between an intermediate model and a super complex one.

Thanks John!

Monday, April 21, 2008

How Has the Internet Affected and Influenced the Origami Community?

I've been asked to write an article for OUSA's The Paper, regarding how the advent of the internet has affected the origami community. What I would like, is to use this post as a sort of "open interview", and allow my visitors and readers to share their experiences and thoughts on how the "information highway" has affected their origami experience, both the positives (such as easier sharing and communicating) and the negatives (such as copyright infringements).

Even within just the last 3 years, I've witnessed the YouTube explosion and growth of blogs and websites and online photo albums.

This comment by SlyNeko is an example of what I'm looking for:
I apologize for getting all touchy-feely here but i just had to point out that this is a great example of the uniqueness of the origami community.....Gadi creates and shares with us all a wonderful and innovative design and takes the time to document the CP....then Nathan lends a helping hand and takes it to the next level for those (like me) that can benefit from extra instruction...and all this in about a day's turnaround.....i think it's encouraging that amidst all the stealing and cheating that goes on, that there are good things that come out of the immediacy of origami on the net....anyway, i'm off to fold this great model....thanks to Gadi, Nathan, and all the great users here which make reading and learning from the posts so much fun...
As well as the thread on origami piracy; and the semi-off-topic discussion going on here. These are topics and issues that are relevant to my article. The existence of the Origami Forum, in itself, is responsible for influencing the lives of origamists around the world; in fostering and cultivating a sense of community and the cross-pollination of ideas and the sharing of our mutual love for the art of paperfolding. If not for the Origami List (Origami-L, O-List), I would not have ever "met" such wonderful people from halfway around the world, such as my longtime friend in Holland, Marrigje. If not for the internet, you would not be reading this blog; nor would I have been able to share my videos for about the last 4 years with the community at large. I think I was one of the first- if not the first- to take advantage of using blogs, as well as YouTube (my first account was suspended- but unfairly! It's a long story...).

Without the internet, I would never have stumbled across a photo of Stephen Delecat's dollar shirt with a tie, and decipher it before diagrams were made available. I would never be able to correspond with so many people, so quickly; to view with a click of the mouse, all the wonderful models they've been folding.

So, please share with me, your thoughts and experiences as how it relates to the evolution of origami, as it's been influenced by the internet. Just leave a comment. I'll try and credit where I can, should I cite you in the article. I suppose this article, in itself will come alive and be made possible by the magical wonders of the internet.

My deadline is May 21st.

Thanks for your time in advance!

*UPDATE* Wrote this to the O-List (I think I phrased some things more clearly and concisely):
I've only been on the internet for maybe the last 7 years. And in that time, I've seen an expansion of websites, the advent of blogs, the rise of YouTube and likeminded video-sharing sites, and an explosion of online photo albums as well as the sharing of ideas and information, thanks to e-mail and public message board forums. There have also been negative consequences, such as copyright infringements.

My question to List members, is:
1)"How has your life become enriched/impoverished/influenced by the technology of the internet, as it relates to origami?"

2)What changes have you witnessed within the origami community, since the internet?

3)Would origami be where it is today, if there wasn't an internet? What was the origami community like, pre-internet and e-mail service?


*UPDATE*04/28/08 Forgot to put this up:
The non-profit organization OrigamiUSA began in the 1970s and 1980s. Back then its primary mission was to communicate origami-related news to its members as well as offer them a way to buy origami books and paper. With the advent of the internet it has become much easier for origami enthusiasts to obtain such information, paper, and model instructions on their own.

Therefore, OrigamiUSA is very interested to know what origami enthusiasts would like from our organization, not only from our current members, but also from non-members.

Click here to go take the OUSA survey.

Sunday, April 20, 2008

This is Why You Don't Task Yami with Working the Camera



Aaargh! I figured all Yami had to do was aim and push the little button. I had about 4 clips of not much of anything that he shot. This was the best of the batch.

Lol...Yami loves my videos; so I just assumed, by now, he'd be a competent filmographer and would know what I am looking for.

Fortunately, I do have some footage of my segment of the on-stage demo at this weekend's Monterey Park Cherry Blossom Festival, as I asked a Festival volunteer if she could film me when I start talking about dollar moneyfolds.

Don't know yet how I should go about editing what I captured this weekend.