
Hat tip: Mark Kennedy
A blogsite not for me to bloviate; but for me to share my origami videos with the origami community. I am affiliated with the Westcoast Origami Guild, Pacific Ocean Paperfolders, Origami Paperfolders of San Diego, Origami USA, and the Origami Interest Group (Origami-L/O-List).
| August 19, 2012 Creator: Angel Morollón Guallar Folder: Michael Sanders 10" x 10" square composite of tissue/Japanese foil/unryu |
Folding Paper: The Infinite Possibilities of Origami is the first museum exhibition to explore the history of paper folding, the works of the world’s foremost origami artists, and the connection between origami and mathematics, science, and design.
Origami, or Japanese paper folding, began centuries ago in Japan, probably in religious ceremonies and as a pastime of Court nobles. By the 17th century, much of the population was folding birds, animals, and boxes. Paper folding was also practiced in Europe and became well established there by the 19th century. In both regions, the practice was regarded primarily as a children’s craft or hobby for adults with nimble fingers. It was not considered “art” until the mid 20th century, when folders around the world began experimenting with different styles, techniques, and materials. Now, origami is a sophisticated international art form worthy of museum exhibition, collection, and scholarship.
The exhibition showcases contemporary origami by renowned artists from countries as diverse as Japan, the United States, Uruguay, and Russia. It presents them within the context of origami history and examines the many evolving styles of origami today, from representational figures from nature to modular geometric forms and abstract sculptures.
The exhibition also examines the relationship between origami and art, science, and mathematics, and demonstrates its tremendous impact in areas as diverse as space exploration, medical research, and fashion design. Lastly, Folding Paper explores origami—particularly the beloved crane—as a powerful tool for world peace.
